by Morrow Dowdle
There is another story behind the tree,
a second fruit eaten at the snake’s behest.
First there was the apple, pink and sweet,
yielding to my perfect teeth. I was naked
and free! And then the red pomegranate,
more difficult to access, but I did, forced it
open in my two fists, its blood covering
my slender fingers. I broke each aril
between my teeth, sucked it down to seed.
And each broke something inside of me.
I saw that my breasts were too small
and how my stomach bulged, my ass
a fat sack I dragged behind me.
No matter I had barely gone through
puberty, I found my nudity loveless,
something to detest. I didn’t need
another body for comparison
to know I was a one out of ten.
I might have been original,
but I was not fresh, my flesh
was trash, a sentiment I could not tame,
and I knew it when I next had sex, how
the man closed his eyes, kept his body
away from mine except the necessary bits,
how he shuddered when he came.
What I had seen, I could not unsee.
Paradise lost, I went into the desert.
The desert was inside of me.
Morrow Dowdle is the author of the chapbook Hardly (Bottlecap Press, 2024), the forthcoming chapbook Missing Woman (Charlotte Lit Press, 2006), and the forthcoming full-length collection Heartsick Requiem (Riot in Your Throat Press, 2026). They are a three-time Pushcart Prize nominee, and their work has been featured in journals such as Rattle, New York Quarterly, Southeast Review, Stonecoast Review, ONE ART, and others. A former physician assistant, they now work for NC Public Art and run a performance series featuring historically marginalized voices. They are pursuing their MFA at Spalding University and live in Durham, NC.